Essays by Jason Zinoman, Manohla Dargis and Erik Piepenburg
Could a movie about a girl possessed by the devil really have caused audience members to faint and lose their lunch at theaters? The vehement reaction to “The Exorcist” when it premiered in late 1973 helped create a special place for it in pop culture, as evidenced by the media frenzy at the time. We asked three of our critics for new perspectives on the film: what it accomplished then and what it represents to us now.
